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Put the underlined verbs into the correct tense - form. Pay attention to the words given in the brackets.





The scientist (to earn) a lot of patents for his inventions (three years ago, by 2010, already, usually).

What information have you learnt from the text? What information was not new for you?

Begin with the phrases:

As for me I learnt that James Russel….

If I am not mistaken …

It was not new for me that …

Give the summary of the text.

Text 15. Konstantin Thon (1794 - 1881)

 

Fig. 16. Konstantin Thon

Pre-reading questions:

Do you know the name of Konstantin Thon? What are his famous projects?

Pre-reading task:

Give the Russian for:

the Kazan Cathedral, Nevsky Prospekt, Obvodnyi Canal, Neoclassicism, the Moscow Kremlin, the Model Album for Church Designs, Neo-Russian Grand Kremlin Palace, Soviet authorities, Orel region, Maloarkhangelsk district.

Words and word combinations to be remembered:

1.jeweller ювелир
2. notable известный
3. the Imperial Academy of Arts Императорская академия искусств
4. the Empire Style стиль ампир
5. to admit допускать, принимать
6.appoint назначать
7.division отделение (в учреждении)
8.toattract public attention привлекать общественное внимание
9.sumptuous роскошный, шикарный
10. interior интерьер, внутренняя часть помещения
11.embankment набережная
12. submit представлять
13. Revival style стиль Ренессанс
14. to feel disaffected with быть недовольным чем-л.
15.prevailing господствующий, доминирующий
16.to remark делать замечание, высказываться о (чём-л.)
17. to cringe угодничать, преклоняться
18.revered почитаемый
19. ambitious претенциозный
20.date эпоха
21. the Cathedral of Christ the Saviour Храм Христа Спасителя
22. Byzantine style Византийский стиль
23.intended to underline similarity предназначенный подчеркнуть простоту
24. to displease вызывать недовольство, сердить
25.fellow коллега
25.severe строгий
26. nevertheless Тем не менее
27.emperor император
28.to approve одобрять
29. to supervise смотреть, наблюдать
30. ponderous громоздкий, массивный
31.church церковь
32.spacious обширный,просторный,крупный
33. that of так называемый
34. presentation to the Temple for the Semenovsky regiment подарок храму Семеновского полка
35.revivalist projects ренессансные проекты
36.to be assembled быть собранным
37. the Armoury Chamber Оружейная палата
38. opulent богатый, пышный
39. grandeur грандиозность, великолепие
40. daring смелый
41. incorporated включенный, являющийся частью целого
42. successively непрерывно
43. rehabilitate реконструировать
44.abandoned заброшенный, покинутый
45.Izmaylovo Estate Измайловское поместье (имение)
46.almshouse приют
47. commissions полномочия, указания
48. to implement выполнять, осуществлять
49.despite несмотря на
50.steelwork стальная конструкция
51. Venetian facades венецианские фасады
52.medieval старомодный
53. both обе
54.disciple последователь, ученик
55. although хотя
56.extensively в значительной степени, сильно
57. failing health слабеющее здоровье
58.to prevent from мешать, препятствовать
59. apart стороне, отдельно
60. contemporary современник
61. dismiss отвергать
62. Soviet authorities советская власть
63. to label прикреплять ярлыки
64.ugly chests of drawers «уродливые коробки чертежников»
65.to destroy разрушать
66.vicinity окрестности,
67.renewed обновленный

Reading:

Read and translate the text:

Konstantin, born in St. Petersburg in the family of a German jeweller, was one of three Thon brothers who all rose to become notable architects. He studied at the Imperial Academy of Arts under the Empire Style architect Andrey Voronikhin, best remembered for his work on the Kazan Cathedral, situated right in the middle of the Nevsky Prospekt. He studied Italian art in Rome from 1819 to 1828, and on his return home was admitted to the academy as its member and professor.

In 1854, he was appointed rector of the architectural division of the academy.

Thon first attracted public attention with his sumptuous design for the interiors of the Academy building on the Neva embankment. In 1827 he submitted to the tsar his project of St. Catherine church at the Obvodnyi Canal, the first ever design in the Russian Revival style. Nicolas I, who felt disaffected with the prevailing Neoclassicism of Russian architecture, remarked that "Russians have their own great art traditions and don't need to cringe before Rome". Thon's project was to become a revered model for other churches in St Petersburg and across Russia.

In 1830 Thon completed his most ambitious design to date, that of the Cathedral of Christ the Saviour in Moscow. The Russian-Byzantine Revival style of his project, intended to underline similarity of the new church with old cathedrals of the Moscow Kremlin, displeased many of his fellows, who wanted to see the cathedral built in the severe Neoclassical style. Nevertheless, the emperor personally approved his design. Thon and his disciples continued to work on the cathedral for the next 50 years, until the master's death in 1881.

In 1836-1842 Thon supervised the construction of another ponderous church with a spacious interior, that of Presentation to the Temple for the Semenovsky regiment in St. Petersburg. He followed this with dozens of Neo-Russian-Byzantine designs for churches and cathedrals in provincial towns, including Sveaborg, Yelets, Tomsk, Rostov-on-Don, and Krasnoyarsk. Some of his revivalist projects were assembled in the Model Album for Church Designs (1836).

From 1838 to 1851 Thon was employed in construction of the Neo-Russian Grand Kremlin Palace and the Kremlin Armoury in Moscow. The grandiose palace, famed for opulent interiors of its 700 rooms and halls, was meant to symbolize the grandeur of the Russian state. It was a daring design which incorporated parts of earlier structures. The palace has served successively as an official residence for the Russian tsars, Soviet rulers, and the Presidents of the Russian Federation. At the same time, Thon rehabilitated the abandoned Izmaylovo Estate into an almshouse for the veterans of the Napoleonic Wars.

Thon's last important commissions were the Nikolaevsky railway stations in Moscow and Saint Petersburg (1849–1851). In his design for the stations the architect implemented some of the newest construction technologies. Despite large pieces of steelwork used in the construction, Venetian facades and medieval clock towers of the stations cleverly masked their modern function. Both structures, although extensively reconstructed, are still standing.

After the death of his patron, the Emperor, Thon's failing health prevented him from working on other projects apart from the great cathedral in Moscow. He died at St. Petersburg in 1881.

Even during his lifetime, the more radical of his contemporaries, such as Alexander Herzen, dismissed his architecture as "reactionary manifestation of the tyrant's rule". The Soviet authorities, labelling Thon's churches ugly chests of drawers, systematically destroyed as many of them as possible, including all his churches in St Petersburg and vicinity and the work of his life, the Cathedral of Christ the Saviour. The fall of the Soviet rule in 1991 brought about a renewed interest in the work of the Neo-Russian-Byzantine master.

In Orel region (Maloarkhangelsk district, village Upaloe) is situated St. Nicolas church (Fig. 17) built in 1896 after the project taken from Thon’s Model Album for Church Designs. The church was greatly destroyed during the Soviet times. Nowadays it is being rebuilt

Fig. 17. St. Nicolas church, village Upaloe

After you have read:

15.1Choose the right variant:

1. Konstantin Thon was born in the family of a German

a) jeweller

b) merchant

c) doctor

2. In 1854 he was appointed … of the architectural division of the academy.

a) dean

b) rector

c) bead architect

3. In 1830 Thon completed his most ambitious design the in Moscow.

a) Cathedral of Christ the Saviour

b) St. Basil’s Cathedral

c) Bolshoi Theatre

4.Thon's last important commissions were … in Moscow and Saint Petersburg.

a) the State Historical Museum

b) the Nikolaevsky railway stations

c) the Tretyakov Gallery

5. Thon was employed in construction of the Neo-Russian Grand Kremlin Palace and …. in Moscow.

a) the Kremlin Armoury

b) the monument to citizen Minin and Prince Pozharsky

b) the Pushkin Museum of Fine Arts

15.2 Make up a sentence of two parts:

1.Konstantin, born in St. Petersburg 1. for the interiors of the Academy building on the Neva embankment.
2. He studied Italian art in Rome from 1819 to 1828   2. that of the Cathedral of Christ the Saviour in Moscow.
3. Thon first attracted public attention with his sumptuous design 3. and on his return home was admitted to the academy as its member and professor.
4. In 1830 Thon completed his most ambitious design to date, 4.including Sveaborg, Yelets, Tomsk, Rostov-on-Don, and Krasnoyarsk.
5. He followed this with dozens of Neo-Russian-Byzantine designs for churches and cathedrals in provincial towns, 5. a renewed interest in the work of the Neo-Russian-Byzantine master.
6. The fall of the Soviet rule in 1991 brought about   6. from working on other projects apart from the great cathedral in Moscow.
7. After the death of his patron, the Emperor, Thon's failing health prevented him 7. built in 1896 after the project taken from Thon’s Model Album for Church Designs.
8. In Orel region (Maloarkhangelsk district, village Upaloe) is situated St. Nicolas church 8. in the family of a German jeweler.

 







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