Classification of phraseological units

Phraseological units can be classified according to the degree of motivation of their meaning. This classification was suggested by acad. V.V. Vinogradov for Russian phraseological units. He pointed out three types of phraseological units:

a) fusions where the degree of motivation is very low, we cannot guess the meaning of the whole from the meanings of its components, they are highly idiomatic and cannot be translated word for word into other languages, e.g. on Shank’s mare - (on foot), at sixes and sevens - (in a mess) etc;

b) unities where the meaning of the whole can be guessed from the meanings of its components, but it is transferred (metaphorical or metonymical), e.g. to play the first fiddle (to be a leader in something), old salt (experienced sailor) etc;

c) collocations where words are combined in their original meaning but their combinations are different in different languages, e.g. cash and carry - (self-service shop), in a big way (in great degree) etc.

Prof. A.I. Smirnitsky worked out structural classification of phraseological units, comparing them with words. He points out one-top units which he compares with derived words because derived words have only one root morpheme. He points out two-top units which he compares with compound words because in compound words we usually have two root morphemes.

a) units of the type «to give up» (verb + postposition type), e.g. to art up, to back up, to drop out, to nose out, to buy into, to sandwich in etc.;

b) units of the type «to be tired». Some of these units remind the Passive Voice in their structure but they have different prepositons with them, while in the Passive Voice we can have only prepositions «by» or «with», e.g. to be tired of, to be interested in, to be surprised at etc. There are also units in this type which remind free word-groups of the type «to be young», e.g. to be akin to, to be aware of etc. The difference between them is that the adjective «young» can be used as an attribute and as a predicative in a sentence, while the nominal component in such units can act only as a predicative. In these units the verb is the grammar centre and the second component is the semantic centre;

c) prepositional- nominal phraseological units. These units are equivalents of unchangeable words: prepositions, conjunctions, adverbs, that is why they have no grammar centre, their semantic centre is the nominal part, e.g. on the doorstep (quite near), on the nose (exactly), in the course of, on the stroke of, in time, on the point of etc. In the course of time such units can become words, e.g. tomorrow, instead etc.

a) attributive-nominal such as: a month of Sundays, grey matter, a millstone round one’s neck and many others. Units of this type are noun equivalents and can be partly or perfectly idiomatic. In partly idiomatic units (phrasisms) sometimes the first component is idiomatic, e.g. high road, in other cases the second component is idiomatic, e.g. first night. In many cases both components are idiomatic, e.g. red tape, blind alley, bed of nail, shot in the arm and many others.

b) verb-nominal phraseological units, e.g. to read between the lines, to speak BBC, to sweep under the carpet etc. The grammar centre of such units is the verb, the semantic centre in many cases is the nominal component, e.g. to fall in love. In some units the verb is both the grammar and the semantic centre, e.g. not to know the ropes. These units can be perfectly idiomatic as well, e.g. to burn one’s boats,to vote with one’s feet, to take to the cleaners’ etc.

Very close to such units are word-groups of the type to have a glance, to have a smoke. These units are not idiomatic and are treated in grammar as a special syntactical combination, a kind of aspect.

c) phraseological repetitions, such as: now or never, part and parcel, country and western etc. Such units can be built on antonyms, e.g. ups and downs, back and forth; often they are formed by means of alliteration, e.g cakes and ale, as busy as a bee. Components in repetitions are joined by means of conjunctions. These units are equivalents of adverbs or adjectives and have no grammar centre. They can also be partly or perfectly idiomatic, e.g. cool as a cucumber (partly), bread and butter (perfectly).

Phraseological units the same as compound words can have more than two tops (stems in compound words), e.g. to take a back seat, a peg to hang a thing on, lock, stock and barrel, to be a shaddow of one’s own self, at one’s own sweet will.

Phraseological units can be clasified as parts of speech. This classification was suggested by I.V. Arnold. Here we have the following groups:

a) noun phraseologisms denoting an object, a person, a living being, e.g. bullet train, latchkey child, redbrick university, Green Berets,

b) verb phraseologisms denoting an action, a state, a feeling, e.g. to break the log-jam, to get on somebody’s coattails, to be on the beam, to nose out, to make headlines,

c) adjective phraseologisms denoting a quality, e.g. loose as a goose, dull as lead,

d) adverb phraseological units, such as: with a bump, in the soup, like a dream, like a dog with two tails,

f) interjection phraseological units, e.g. «Catch me!», «Well, I never!» etc.

In I.V.Arnold’s classification there are also sentence equivalents, proverbs, sayings and quatations, e.g. «The sky is the limit», «What makes him tick»,» I am easy». Proverbs are usually metaphorical, e.g. «Too many cooks spoil the broth», while sayings are as a rule non-metaphorical, e.g. «Where there is a will there is a way».

Proverbs, if viewed in their structural aspect, are sentences, and so cannot be used in the way in which phraseological units are used. If one compares proverbs and phraseological units in the semantic aspect, the difference seems to become even more obvious. Proverbs could be best compared with minute fables for, like the latter, they sum up the collective experience of the community. They moralise (Hell is paved with good intentions), give advice (Don't judge a tree by its bark), give warning (If you sing before breakfast, you will cry before night), admonish (Liars should have good memories), criticise (Everyone calls his own geese swans).

A proverb is a short familiar epigrammatic saying expressing popular wisdom, a truth or a moral lesson in a concise and imaginative way. Proverbs have much in common with set expressions, because their lexical components are also constant, their meaning is traditional and mostly figurative, and they are introduced into speech ready-made. That is why some scholars following V.V. Vinogradov think proverbs must be studied together with phraseological units. Others like J. Casares and N.N. Amosova think that unless they regularly form parts of other sentences it is erroneous to include them into the system of language, because they are independent units of communication. N.N. Amosova even thinks that there is no more reason to consider them as part of phraseology than, for instance, riddles and children’s counts. Lexicology does not deal more fully with the peculiarities of proverbs: created in folklore, they are studied by folklorists, but in treating units introduced into the act of communication ready-made we cannot avoid touching upon them too.

As to familiar quotations, they are different from proverbs in their origin. They come from literature but by and by they become part and parcel of the language, so that many people using them do not even know that they are quoting, and very few could acccurately name the play or passage on which they are drawing even when they are aware of using a quotation from W. Shakespeare.

The Shakespearian quotations have become and remain extremely numerous — they have contributed enormously to the store of the language. Some of the most often used are: I know a trick worth two of that; A man more sinned against than sinning ("King Lear"); Uneasy lies the head that wears a crown ("Henry IV").

Some quotations are so often used that they come to be considered clichés. The term comes from the printing trade. The cliché (the word is French) is a metal block used for printing pictures and turning them out in great numbers. The term is used to denote such phrases as have become hackneyed and stale. Being constantly and mechanically repeated they have lost their original expressiveness and so are better avoided. H.W. Fowler in a burst of eloquence in denouncing them even exclaims: “How many a time has Galileo longed to recant his recantation, as e pur si muove was once more applied or misapplied!"¹ Opinions may vary on what is tolerable and what sounds an offence to most of the listeners or readers, as everyone may have his own likes and dislikes. The following are perhaps the most generally recognised: the acid test, ample opportunities, astronomical figures, the arms of Morpheus, to break the ice, consigned to oblivion, the irony of fate, to sleep the sleep of the just, stand shoulder to shoulder, swan song, toe the line, tender mercies, etc.

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